
I know from your previous post that you mostly use a 50mm and a 24-70mm is that with canon? Or do you stray an go for sigma or third party lenses? Any other favorite lenses?
All of my lenses are Canon. I’ve only ever bought one third party lens and I just didn’t love it. Personally, I recommend spending the extra and getting the very best glass you can afford.
Before that fabulous canon 5d camera…what did you use?
I’ve always been a Canon girl..The 300D first, then the 40D, the 5D and then I upgraded to the 5D Mark 2. Lately I’m loving Nikon color though..we always want what we don’t have!
Maybe from time to time you could give lens/settings/etc and then tell us what you used to post process it!! Those of us with your actions might love to hear this! I know I would!!
Sure, I will certainly try to remember to include that info! The image above was:
f2.8, 1/5000 sec/ iso 100 (24-70 2.8 Canon lens)
Post processing – Toy Camera, Mini Makeover and Buttersnap actions. (Eye Candy Actions)
My love and eye for photography leads everyone around me to suggest i take it to the next level but i’m still very much in the learning process. i’ve done a few shoots outside of my friends and family but i’ve never accepted any money because i don’t feel as though my photos are exactly “professional quality”. so my question is, how did you make the jump from just enjoying/learning photography to doing it professionally as well?
This is whole chapter in Evolve & always a very hot topic in the workshop forums! I can tell you that every single person considering going into pro photography has similar questions & concerns when starting out. In brief, this is my advice:
When you find people outside your immediate circle of family and friends are requesting photos and/or asking what you charge, it’s time to start charging. Photographers are notoriously critical about their own work so don’t wait for a day where you expect to wake up and feel convinced you’re good enough to be paid..that only comes after people start paying you! You have to just take the risk, make the jump and run with smoke and mirrors until it feels more natural. Start calling yourself a photographer. Put together a logo and a small website – even if it’s just a blog. You don’t need to have an expensive website and a huge array of images to begin. With each shoot you do, you will gain more confidence but the hardest part is believing in yourself and that just comes with time and experience. Evolve includes a lot more information and practical resources for getting started so that may interest you at some point.
I’d love to know how you made the jump. I know a lot of people who find it difficult to make that leap..
I closed my eyes and ran :) I was extremely nervous the first year or so of shooting real clients and often felt like I was only pretending to be a photographer! I think everyone has periods of doubt about their own work and abilities but I’ve learned over time to accept it as part of the job. There are good weeks and bad weeks and inspiration comes and goes. If you’re at a point where you feel you probably should be charging, then you definitely should. Just do it! I am thankful every day that I took the plunge and put my fears aside..I have the best “job” on Earth.
When are you moving to SoCal?? Haha.. you know you want to! I think at least you should come back & do an in-person workshop! In Laguna Beach of course.
Not a day goes by where we don’t talk about the notion of moving to SoCal! It wouldn’t take a lot of persuasion! And yes, I also imagine a day I’ll do in person workshops..Here or there or both :)
I would really like to see a photo straight out of your camera and then the same photo after you have ‘photo shopped it..
Sure! Here’s the photo I posted of Ivy the other day – I’ll share a little about the processing..
While shooting into the sun is perfectly natural for me (I rarely even think to turn the other way), it does mean a little extra work in processing. In order to keep color in the sky, I needed to under-expose which means some lightening of the subject is required straight up. I also had to spend a little time working with the slight “banding” you see in the sky. (Where there obvious color shifts, a result of shooting JPEG in SRGB color space and often made worse working in PS in 8 bit mode). I did this with some noise addition and gaussian blur. The only other adjustments from there color shifts and sharpening – all via Eye Candy Actions Zap and Softly. I use layer masks the whole way through my processing to tweak where-ever needed. Being the flare junkie that I am, this was a favorite from the set that day :) Hope this helps!

If you’re still with me here, just one last admin thing…Fran has major ongoing issues emailing people with AOL and Comcast accounts from our Eye Candy address. If you have either and are waiting to hear back re a workshop, can you please send through an alternative email address? It’s frustrating for us and no doubt disappointing for those who miss out on place offers due to over-zealous SPAM filters.. Thankyou!!
S x